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Lucia Popp (born Lucia Poppová; 12 November 1939 – 16 November 1993) was a Slovak operatic soprano. She began her career as asoubrette soprano, and later moved into the light-lyric and lyric coloratura soprano repertoire and then the lighter Richard Strauss and Wagneroperas. Her career included performances at Vienna State Opera, the Metropolitan Opera, Covent Garden, and La Scala. Popp was also a highly regarded recitalist and lieder singer. Lucia Popp was born Lucia Poppová, in Záhorská Ves in the Slovak State (later Czechoslovakia and today Slovakia). Popp initially entered the Bratislava Academy to study drama. While she began her vocal lessons during this period as a mezzo-soprano, her voice developed a high upper register to the degree that her professional debut was as the Queen of the Night in Mozart's The Magic Flute in Bratislava, a role she revived in a 1963 recording conducted byOtto Klemperer. In 1963, Herbert von Karajan invited her to join the Vienna State Opera, where she debuted as Barbarina in Mozart's The Marriage of Figaro. Popp had strong ties to the Vienna State Opera throughout her career, and in 1979 was named an Austrian "Kammersängerin". She made her Covent Garden debut in 1966 as Oscar in Verdi'sUn ballo in maschera, and her Metropolitan Opera debut in 1967 as the Queen of the Night (production designed by Marc Chagall). During the 1970s, Popp turned from coloratura roles to lyric ones. Then, in the 1980s, she added heavier roles to her repertoire, such as Elsa in Wagner's Lohengrin and Eva in the same composer's Die Meistersinger von Nürnberg. As a result of this vocal progression, Popp sang various roles in the same opera at different stages in her career, including Zdenka and Arabella in Richard Strauss's Arabella; Susanna and the Countess in Mozart's The Marriage of Figaro; Queen of the Night and Pamina in Mozart's The Magic Flute; Zerlina, Donna Elvira, and later Donna Anna in Mozart's Don Giovanni; Adele and Rosalinde in Johann Strauss II's Die Fledermaus; Annchen and Agathe in Weber's Der Freischütz; and Sophie and the Marschallin in Richard Strauss's Der Rosenkavalier.
Lyirc & English Translation
O Sachs! My friend! Dear man!
How can I reward you, noble man?
What would I be without your love,
without you?
Wouldn't I have remained always a child
if you had not awoken me?
Through you I have won
what people prize,
through you I learnt
the workings of the spirit;
by you awoken,
only through you did I think
nobly, freely, and boldly;
you made me bloom!
Yes, dear Master, scold me if you will;
but I was on the right path,
for, if I had the choice,
I would choose none but you;
you would have been my husband,
I would have given the prize to none but you.
But now I am chosen
for unknown torment,
and if I am married today,
then I had no choice:
that was necessity, compulsion!
You yourself, my Master, were dismayed.
A link to this wonderful artists personal website: http://www.allmusic.com/artist/lucia-...
Please Enjoy!
I send my kind and warm regards,
…Yahoo!、Google他、Excite先生も控えておられる
てか、クラシック声楽わからんかて、↑の英語くらい解読出来るでしょ
推定IQ150前後、けど理数系ダメ、英語も苦手に読めるんだから～
推定年齢が始終苦しむ49歳前後の男寡、それが、隣家に暮らす17～20歳くらいの小娘に片想い
と思いきや
小娘エーファの方も、余所者の軟弱騎士ヴァルターと一目惚れし合っちゃたけど
ニュルンベルク市民から愛される靴屋ハンス・ザックス親方に満更でないが知れた
「ねえ親方、騎士を選んだアタシの将来、大丈夫かしら」
自分が如何にザックスを愛していたか、遅ればせながら知ったエーファの揺れる心を余す所無く描き出すんよ
ポップちゃん、貴女は、15歳年下の婿さん獲得したけどね
若過ぎた最晩年、マツコ体型になろうと、可愛ければ官軍でした
でなけりゃ
作曲者ワｰグナーが悩みそうなBBAに説得力なんて…
（ポップちゃんがエーファを初めて歌ったのは、英国・コヴェントガ－デン王立歌劇場の舞台であった
1982年か1983年で、40歳を過ぎていた
写真で見る限り、肥大化は見て取れたものの、メッチャ可愛かった
ルチア・デブ・ポップと言うた、誰とは言わんが、それだけは、今後17回生まれ変わっても許しま宣言！）
